Young Guru, a well established producer in the music business, gives you the straight talk about corporations, major labels, and how artists enslave themselves by signing record contracts. This video is filled with gems and should be encouragement for every independent hip hop artist on the path to building their own business.
In this video sited at Hypebot, Lupe Fiasco reveals some of the absurdities he’s had to endure while trying to get his music released under his label, Atlantic.
Meanwhile, in this post sited at Fakeshore Drive, the Cool Kids are just recovering from a nasty court battle with their label, Chocolate Industries.
Peep the tweets from Chuck Inglish and Sir Michael Rocks
Last but certainly not least, Nas wrote a searing letter to his label Def Jam, telling them in essence, to stop fucking with his creativity and “Put [his] Shit Out!”
The information about publishing is not the most valuable treasure of this video clip. It’s Phil’s will to grind and create an opportunity for himself when the climate of the music business was changing.
Fist off let me me say that if you’re a hip hop artist, you should be following Chamillionaire’s Twitter feed. Why? Because his internet grind is the bizness, and you can learn a lot from observing how he uses social networking tools to connect with his fans.
This commentary from Chamillionaire is loaded with a lot good shit that you should pay attention to. Primarily, the info on the importance of handling your paperwork before the release of your project is priceless. Chamillionaire paints a vivid picture of what it’s like to be an artist on a major label and shares some of the battles he has to fight in order stay true to himself and his fans.
I posted of video earlier of Chamillionaire explaining how he stays on top of his business to make sure he’ll always have a financially secured future. You can watch it here.
In this video, DMX talk about how even the highest paid artists get abused and taken advantage of by major labels. This is why I’m glad that the the old way of doing business in the industry is collapsing. What artists can’t afford to do is allow major labels to regain their power to continue this.