Mar
07Finding Your Sound
Filed Under (Emcees, Music Business, Producers) by FuNkwoRm on 07-03-2009
Tagged Under : Music Business, music production
Finding the right music to go with your flow is essential to leaving lasting impression as an artist. A debate I recently had with some producer partners of mine started with my belief that the artists who made the biggest impacts in hip hop, used only one or very few producers. My feeling is that the music created with these unions, defined them as artists and sometimes defined an entire era.
When the producer is like a part of the group, somehow a unique sound is created that can’t be duplicated without that original unit. This sometimes creates musical movements. Some legendary examples of this have been:
Public Enemy, N.W.A, Mobb Deep, A Tribe Called Quest, Wu Tang, The Death Row Movement, The Cash Money Movement, Eric B and Rakim, Pete Rock & C.L. Smooth, Gangstar…etc
These are just a few of great artist(s), producer combos that were monumental in hip hop music. The albums produced by these groups had a linear feel from the 1st track to the last. They flowed together in the same way a book would. Now you have projects where there can literally be a different producer on every track. It’s like that same book having a different writer for each chapter.
As the industry started to rely more on having a huge hit single, they believed that they could increase they’re chances by hiring these producers to separately create music for album projects. This was not only very costly for the project but it didn’t give the artists a sound of their own. That’s not to say that there haven’t been some great projects made by the right collection of producers (see Illmatic, and the Blueprint). Concept albums are still the way to go. I think that this is what makes Kanye very successful. The tracks are connected. You should never pass up on a hot beat, but remember, if you do decide to get music from a variety of different sources, that you make sure to make yourself the thread that connects them together.
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I thought this post was pretty direct. I think that comercially…Hip-hop is going down the drain. It’s all about that Underground. The radio sux these days.
You’re right. Commercial music is going to be everything I expect it to be. However I’m not upset at the fact the hip hop has mass appeal and the capabilities to make huge amounts of money. I just think the creators should be wise and knowledgeable about the business enough to control the cash flow. As far as radio goes, I think we’re rapidly moving towards a time when most people won’t receive new music from radio anyway.